Staff Profile


Dr Sonia Overall

Senior Lecturer

School: School of Humanities & Educational Studies

Campus: Canterbury Main Campus

Tel: 01227 921688

Profile summary

Sonia teaches on the Creative and Professional Writing BA and MA Creative Writing programmes and supervises research students. She is Course Director for the MA in Creative Writing.

Sonia writes fiction, poetry, creative nonfiction, performance text and experimental forms. She is an avid psychogeographer and draws on walking practices, psychogeography and place-based methods in her writing and research.

She is a member of the Walking Artists Network and founder of an international network of walking creatives and academics, Women Who Walk -  @womenwhowalknet  #womenwhowalknet. Her network activities gained her a Faculty Knowledge Exchange Award for 2016-2017.

Sonia is a Senior Fellow of the Higher Education Academy and the recipient of Faculty Learning and Teaching Innovation Awards in 2017 and 2019.

Research and knowledge exchange

Sonia's research interests include the relationship between walking and creativity; labyrinths; intertextual writing, crossover forms and formal experimentation; psychogeography,  landscape, thin places and pilgrimage;  folk horror, the monstrous, and encounters with the non-human.  

Sonia constructed a mown labyrinth in the grounds of CCCU's priory in September 2015. The labyrinth is available for use by staff and students and can be visited by the public during university hours. Sonia's work with labyrinths gained her a Faculty of Arts & Humanities Teaching Innovation Prize in 2016 and she has created interactive labyrinths for public arts events including the 4th World Congress of Psychogeography.

Sonia delivers public walks and 'walkshops' at festivals. She has worked a guest artist for the autism research project 'Playing A/Part' at the University of Kent, and as a consultant for English Heritage and the National Trust, using psychogeographical methods at, and approaches to, heritage sites. Sonia contributied to the inter-faculty 'Richborough: Gateways' project and Christ Church Heritage A-Z  She is a peer reviewer for the International M/C Journal and Manchester University Press. Sonia is a regular contributor to the artists' collective Thread and Word.

Sonia's wesearch and knowledge exchange activities include:

  • 2022 Writing at the edge. Liminal coastal writing project. Grant funded by the Being Human Festival.
  • 2021  Loci. Margate Now Festival commission,   
  • 2020  #DistanceDrift. Lockdown walking project on Twitter, commencing April 2020.  
  • 2019  Streetwalking. A walking women's manifesto. POW! Festival.
  • 2018   Walking with Women's Suffrage in Margate. With composer Lillian Henley.  POW! Festival.
  • 2017  Oh! What we Ben!  Mapping the landscapes of Riddley Walker and Andreas, with Dr Mike Bintley. Grant funded by the Being Human Festival.
  • 2016  Walking Heritage. Unlocking hidden stories of Sandwich, Kent. Grant-funded by the Heritage Lottery Fund

Teaching and subject expertise

Sonia is interested in supervising practice research students using creative writing in new ways. She would welcome proposals from research students interested in experimental approaches to form or voice; walking and psychogeography; pilgrimage; real and imagined landscapes; place and identity; folk horror, hauntology, and the eerie and uncanny. 

External activities

Sonia often gives public readings, talks and writing workshops at literary and arts festivals. She is keen to support new writers through community engagement, acting as a judge for various competitions in Kent.

Sonia was the Armchair Artist in residence at The Beaney House of Art & Knowledge, Jan-April 2016. Read her residency blogs here: 

Many of Sonia's conference papers and publications are available through CCCU's Research Space repository. Recent academic conferences include:

  • 'Being Horse'. Film and presentation, with James Frost. Walking's New Movement, University of Plymouth, 2019.
  • 'When the ground grabs your ankles: or how to write about freaking out'. Paper. Folk Horror in the 21st Century, Falmouth University, 2019.
  • 'Don't walk that way: why heritage sites need pscyhogeography'. Paper. TAG 2017, University of Cardiff, 2017.
  • 'Reimagining place: creative walking, writing and reading'. Paper.  Session 38 'More than pedestrian', RC21: Rethinking Global Urban Justice, University of Leeds, 2017.
  • ‘Walking Backwards: psychogeographical approaches to heritage’. Paper. Rurality: CHAT 2016, Contemporary and Historical Archaeology in Theory, University of the Highlands and Islands, Kirkwall, 2016.
  • ‘Walking making thinking’. Performance paper and pecha kucha. Walking Women, Utopia Festival, Somerset House, London, 2016.

Sonia has a strong interest in live literature and performance-based approaches to text and storytelling. Her collaborative film Being Horse, made with performer James Frost, has been screedned at festivals and she is working on further collborative projects using text, place and performance. Sonia was an active member of the ReAuthoring Project and has been involved in writing residencies, performances and installations. She writes and abridges text for street theatre, and was selected for the 2019 Marlowe Roar Artist Development Programme for new theatre writing for her work in progress, Relics

Publications and research outputs

Recent academic publications:

  • 'The Writer's Hunger.' Genesis and Revision in Modern British and Irish Writing, edited by Bloom, J. and Rovera, C. Palgrave MacMillan, 2020.
  • 'Being Horse.' Co-written with James Frost. Walking's New Movement, Triarchy Press, 2020.
  • 'Walking into Creative Writing.' Living Maps Review, No.7, 2019. 
  • 'Workshop and Soundshot - a derive and participatory performance'. PARtake: The Journal of Performance as Research, 1 (2). 42-46, 2017.
  • 'Moving around children's fiction: agentic and impossible mobilities'. Co-written with Lesley Murray. In Mobilities and the Humanities, Mobilities vol 12, Taylor & Francis, 2017.
  • 'The walking dead, or why psychogeography matters'. In Re-enchanting the Academy, Voss & Wilson, eds., Rudebo press, 2017.
  • 'Writing and walking the labyrinth'. In Learning with the Labyrinth: Creating Reflective Space in Higher Education. Sellers & Moss, eds. Palgrave, 2016.
  • 'Walking against the current: Generating creative responses to place'. In Place-Based Arts. Moriarty & Aughterson, eds. Journal of Writing in Creative Practice, Vol 8, no1. 2016. 

Sonia’s novels A Likeness (shortlisted for the Author’s Club Best First Novel Award) and The Realm of Shells are published by 4th Estate/HarperPerennial. In 2016 Sonia published her experimental novel Cruel Brother: a novel in parts in serial form online as part of Shakespeare 400. Her poetry and short stories have appeared in anthologies and literary magazines including Shearsman MagazineStreetcake, Neon and Seaside Gothic.  Her book The Art of Walking (Shearsman 2015) is a collection of poetry drawing on her interest in psychogeography and creative responses to place.  Her manual of walking-writing, walk, write (repeat), is published by Triarchy Press (2021), and her psychogepgraphic pilgrimage memoir, Heavy Time, is out with Penned in the Margins (2021). Sonia's latest novel, Eden, was published by Weatherglass Books in July 2022.


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Last edited: 13/12/2018 21:16:00