Stefania is a Reader in Modern and Contemporary Literature.
She is the author of Vietnam and Beyond: Tim O’Brien and the Power of Storytelling (Liverpool UP, 2012; paperback 2014) and the co-editor of The Invention of Illusions: International Perspectives on Paul Auster (Cambridge Scholars Publishing, 2011).
She is currently working on contemporary American short-story cycles; see 'Psychopathologies Psychopathologies of the Island: Curses, Love and Trauma in Julia Alvarez’s How the García Girls Lost Their Accents and Junot Díaz’s This is How You Lose Her', Journal of Modern Literature, 41:2, 2018, 129-46.
Stefania has also curated The Awakening and Selected Stories for Wordsworth Classics (September 2015). This is the first paperback to bring out in one volume Kate Chopin's extraordinary novel The Awakening (1899), along with the complete text of her two collections of short stories, Bayou Folk (1894) and A Night in Acadie (1897), and twelve uncollected tales.
Further research interests include minority and migrant literatures (esp. in the American context), and women writers of noir. Her essay on Vera Caspary’s Laura and Otto Preminger’s eponymous cinematic adaptation appears in Domestic Noir, Laura Joyce and Henry Sutton Eds., Palgrave Macmillan, 2018.
Other publications include essays on the novels of Sarah Waters, Derek Walcott’s Omeros, and crossover literature, such as Mark Haddon's popular The Curious Incident of the Dog in the Night-time. For a taster of Stefania's reading of Curious Incident and its relationship with detective fiction, see the short article featured as a learning resource on the National Theatre website: http://www.curiousonstage.com/wp/wp-content/uploads/2015/01/Curious-and-Detective-Fiction_A-Paper.pdf
Stefania would be interested in supervising research in any of the above-mentioned areas.
Research and knowledge exchange
Stefania is currently supervising a doctorate on Victoria Holt. Recent project supervised to completion include a Ph.D. on sport in contemporary American fiction, and an MRes on post-9/11 representations of terrorism.
From 2014 to 2017, she has served as Director of Knowledge Exchange for the newly-established School of Humanities, and continues to fulfil duties connected to this brief.
Teaching and subject expertise
At undergraduate level, this year Stefania teaches ‘Critical Approaches to English Literature’ (Single Honours Year 1) and 'Mad, Sad and Bad: Women in American Literature' (Year 2). She also teaches the MA module ‘Modern and Contemporary Literature of Childhood’, and supervises a number of dissertations in 20th- and 21st century literature.
She has been the Programme Director for English Literature Combined Honours for three years (2011-2014).
Selected conference papers
Keynote lecture at the ‘Paul Auster and Literature in the Twenty-First Century’ conference, University of Copenhagen, 23-25 August 2017.
‘Mapping Invisible Countries: Familial Rhetoric in Julia Alvarez’s Diasporic Storytelling’, at ‘The Cartographic Imagination: Art, Literature and Mapping in the U.S.’, Paris, 18-19 May 2018.
Coordinator and speaker at the panel ‘Female agency and identity negotiations in contemporary narratives of border crossings’ at EBAAS, London, 4-8 April 2018.
“‘The Violation at the Center of my Art’: Collective Traumas and Individual Agency in Julia Alvarez’s Dominican American Short-Story Cycles”, Society for the Study of American Women Writers conference, Université Bordeaux Montaigne, 5-8 July 2017.
‘Lost in Cinematic Translation: The Gender Politics of The Blank Wall and its Big-Screen Adaptations’, “Retold, Resold, Transformed: Crime Fiction in the Modern Era”, University of Leeds, 17-18 Sept. 2013.
Regular guest blogger for Wordsworth Editions, with recent entries on Shakespeare’s Globe and National Theatre Productions, and Little Women: http://wordsworth-editions.com/blog
'The Lady Vanishes: American Women Writers and the Noir Canon', http://usstudiesonline.com/the-lady-vanishes-american-women-writers-and-the-noir-canon/
Folkestone Book Festival
‘Celebrate the Sisterhood: 150 Years of Little Women’, part of the America Day at Folkestone Book Festival, 25 November 2018.
‘Down the Rabbit Hole’, conversation with Vanessa Tait, writer and Alice Liddell’s great-granddaughter, to celebrate the 150th anniversary of Alice in Wonderland, Folkestone Book Festival, 28 November 2015.
Publications and research outputs
Vietnam and Beyond: Tim O’Brien and the Power of Storytelling, Liverpool: Liverpool University Press, 2012, 248 pp.. Pbk edition published in 2014.
Collection of essays
The Invention of Illusions: International Perspectives on Paul Auster, co-edited with Jesús González, Newcastle-upon-Tyne: Cambridge Scholars Publishing, 2011, 296 pp....
Selected articles in refereed journals
'"The World Loves an Underdog', or the Continuing Appeal of the Adolescent Narrative: A Comparative Reading of Vernon God Little, The Catcher in the Rye, and Huckleberry Finn", Children's Literature in Education, first published online in July 2016 and forthcoming in print.
‘Lost in Cinematic Translation: The “Soft-Boiled” Housewife in The Blank Wall and American Gender Politics after WWII’, in Literature/Film Quarterly, 43:3, 2015, 170-185.
‘The Career and Critical Reception of Paul Auster’, Literature Compass, 9:10, 2012, 642-53.
‘Postmodern Investigations: The Case of Christopher Boone in The Curious Incident of the Dog in the Night-time’, Children’s Literature in Education, 40:4, 2009, 320-32.
‘“Queer and Verdant”: The Textual Politics of Sarah Waters’s Neo-Victorian Novels’, Literary London Journal, 5:2, 2007, www.literarylondon.org.
'To Hell and Back: The Katabasis and the Impossibility of Epic in Derek Walcott's Omeros', Journal of Commonwealth Literature, 35:2, 2000, 87-103.
‘The Things They Carried in the Short-Story Cycle Tradition’, Critical Insights: Tim O’Brien, Robert C. Evans (Ed.), Amenia (NY): Salem Press, 2015, 82-102.
‘Rules Are Meant to Be Broken: 20th and 21st Century Crime Writing’, Introduction to Popular Fiction, Christine Berberich (Ed.), London: Bloomsbury, 2015, 108-28.
‘The Last of the Romantics? The Accidental Investigator in Postmodern Detective Fiction’, Legacies of Romanticism: Literature, Aesthetics, Landscape, Carmen Casaliggi and Paul March-Russell (Eds.), London: Routledge, 2012, 198-210.
‘Vernon God Little: A Future Crossover Classic?’, Brave New Worlds. Old and New Classics of Children’s Literature, Elena Paruolo (Ed.), Frankfurt-am-Main: Peter Lang, 2011, 105-20.