Sidney Cooper Gallery

Events

Canterbury Scratch Orchestra

photograph

Thursday 31 January, 28 February and 25 April 2013

Doors open 6pm, performance 6.30 – 7.30pm         Free event

 

The Canterbury Scratch Orchestra is a student collective interested in an open approach to improvising music. The orchestra’s previous performances have involved responding to drawings, working with film-makers and poets and collaborating with a diverse collection of musicians including singer-song writers, Indian classical musicians and laptop artists. The ensemble’s work centres around people and play and at its heart lies John Steven’s belief that music-making involves ‘practising an alternate society’.


Reading Series

Ma Creative Writing

Wednesday 5 June 2013 6 - 7pm        Free Event

Join us for these public readings which celebrate and encourage creativity in writing. Doors open at 5.30 pm. Come and enjoy the gallery's current exhibition before the event begins.


Gallery Talk

The Photographer as Collector

20 June 2013, 6 - 7pm (plus Q&A)      Free Event, booking essential

In On Photography Susan Sontag writes:

“ To collect photography is to collect the world.”

This illustrated talk shall consider the imaginative practice of collecting as a means of communication. Photographer and Lecturer Sam Vale will illustrate this concept through outlining his own practice, which investigates the motivation and satisfactions of collecting. In addition to discussing his own work, Sam will examine how photographers and artists such as Martin Parr, Erik Kessels and Richard Wentworth have used collecting to inform their own creative practices. The lecture shall consider how collecting and photography are inventive processes that rely on selection and arrangement to express ideas about the world in which we live.






Past Events

Reading Series

Stav Sherez

Wednesday 17 April 2013 6 - 7pm         

Free event


Mark Power Photograph

Gallery Talk

Tuesday 16 April 5.30 pm

Magnum Photographer Mark Power will be giving a talk about his practice at the gallery.


Reading Series

Amanda Smyth

Wednesday 6 March 2013 6 - 7pm     Free event


Canterbury Scratch Orchestra

February 28th Performance

Listening by Sam Bailey and Canterbury Scratch Orchestra

 There are three aspects to this piece. The first is about how we listen. Pure listening (with eyes shut) is a rare and intimate occurrence. The musicians in this piece have their eyes shut are attempting to listen attentively and generously to the sounds around them.

 The second dimension of this piece concerns the affect of having your face covered whilst playing music. Having spent many years performing music whilst wearing a mask I have experienced the lack of inhibition and switching off of social mechanisms that this involves. The musicians involved in this piece have had their social currency – their face – obscured and can therefore be said to be in a kind of trance. The acting coach Keith Johnstone said that ‘to understand the mask it is also necessary to understand the nature of trance’.

 The third aspect of this piece concerns the audience/observers. We live in a culture where sight is the dominant mode of perception. A symptom of this is what the musicologist Lawrence Kramer calls ‘the listening gaze’: the interpretation of sonic events through visual information. Related to this is the habit of identifying music with the musician. The composer Gavin Bryars complained that improvising music is ‘like standing a painter next to his picture so that every time you see the painting you see the painter as well’. The defacement of the musicians in this piece is designed to release the sounds and musicians, challenging the tendency to rely on an autobiographical understanding of music making in the hope of cultivating a listening that is more alive to the subjectless ambiguity of sound.

Sam Bailey is an improvising musician and teacher. He runs a weekly series of concerts called Free Range, leads the Canterbury Scratch Orchestra and has recently finished a practice-led PhD in improvised music.

 The performers in Listening are:

Christabel Allen         soprano saxophone

Adam Byard               clarinet

Eleanore Hodge        voice

Oren Gurney              alto saxophone

Lucy Roth                  flute

Flo Wilson                 clarinet


Gallery Talk

Disgrac’d Knowledge’s – Art and Magical Thinking  by Bryan Hawkins

Friday 1 February 2013, 6 - 8pm                             Free event, booking essential.

‘Magical Thinking’ as thinking beyond the known, the given and the everyday can be considered as having links with the artistic imagination and its products. The exhibition ‘From Grimm to Reality’ will be considered in relation to connections between fairytale, magic and the arts. Connections will be made between works in the exhibition and art’s tendency to ‘magical thinking’ defined in relation to the arcane and the mystical and in relation to antiquarianism, folklore, the antinomian tradition and prelapsarian, antediluvian and even anti-hegemonic sympathies.


One day Print Workshops

Sat 19 January, Sat 26 January and Sat 2 February 2013

Workshops are held in the University’s print studios, Augustine Art Centre, Canterbury | 10am – 4pm

Saturday 19 January – Workshop 1

Etching and looking at fairy tales, drawing and illustration

Saturday 26 January – Workshop 2

Aquatint etching looking at works by Goya, Paula Rego, Elizabeth Frink and Ana Maria Pacheco

Saturday 2 February – Workshop 3

Carborundum and chine colle, looking at the work of Hughie O’Donoghue

Led by Printmaking Tutor Euphemia MacTavish, these informative and inspirational workshops give an introduction to etching, collagraph and carborundum printmaking techniques. Suitable for advanced or beginner level participants, each workshop will be introduced with examples of work, from which possible creations can be executed, with each person going home with at least two or even three prints in that particular technique.

Workshop costs £40 each (materials are included).

Places can be booked in the Gallery at the Front Desk or  click here.

 


 

Canterbury Scratch Orchestra

Thursday 6 December 2012

Doors open 6pm, performance 6.30 – 7.30pm         Free event

The Canterbury Scratch Orchestra is a student collective interested in an open approach to improvising music. The orchestra’s previous performances have involved responding to drawings, working with film-makers and poets and collaborating with a diverse collection of musicians including singer-song writers, Indian classical musicians and laptop artists. The ensemble’s work centres around people and play and at its heart lies John Steven’s belief that music-making involves ‘practising an alternate society’.


Reading Series

Roma Tearne chaired by Andrew Palmer

Wednesday 12 December 2012 6.30 - 7.30 pm        Free event

Join us for these public readings which celebrate and encourage creativity in writing. Doors open at 5.30 pm. Come and enjoy the gallery's current exhibition before the event begins.


photographSuki Chan Still Point

©Suki Chan

Artists talk   

Wednesday 24 October 2012, 5:30pm

Suki Chan in conversation with Andy Birtwhistle, Principle Lecturer in Film and Video at Canterbury Christ Church university.

Free event, booking essential.


Archive Film Screening 2012

Tuesday      30th October 6.00pm - 7.30pm

Wednesday 31st October 6.00pm - 7.30pm

Tickets are free, booking is essential

Tim Jones, Senior Lecturer from the Department of Media, Art and Design, will be screening his third selection of archive films of the Canterbury area. Much of the footage has not been shown in public for at least 60 years and highlights will include; film of Count Zborowski on his private railway across the Higham Park estate in 1924, Canterbury in colour in 1937, and ‘lost’ film of the Crab and Winkle line between Canterbury and Whitstable.


Reading Series 2012

Now in its second year, this series of public readings celebrates and encourages creativity in writing.

5.30pm-7.30pm.

photograph Liz Jensen Wednesday, 21st November

Chaired by Tibor Fischer

 Liz Jensen was born in Oxfordshire in 1959. Her critically-acclaimed work spans black comedy, science fiction, satire, family drama, historical fantasy and psychological suspense. Three of her novels have been nominated for the Orange Prize and in 1998 she was shortlisted for the Guardian Fiction Award. She is Writer in Residence at Kingston University and a Fellow of the Royal Society of Literature. Her work has been developed for film and translated into more than 20 languages. http://lizjensen.com/

Entrance is free. Doors open at 6pm: enjoy the Gallery’s current exhibition with a glass of wine before the event begins.



photograph Scratch Orchestra 6 December

Doors Open 6pm, performance 6:30 - 7:30 pm Free event, please book. 2011

The Canterbury Scratch Orchestra is a student collective interested in an open approach to improvising music.

The orchestra's previous performances have involved responding to drawings, working with film-makers and poets and collaboratin with a diverse collection of musicians including singer-songwriters, Indian classical musicians and laptop artists. the ensemble's work centers around people and play and at its heart lays John Steven's belief that music-making involves 'practising an laternate society'.


Reading Series 2011

Now in its second year, this series of public readings celebrates and encourages creativity in writing.

6.00pm-7.00pm.

photographRoma Tearne Wednesday, 12th December

Chaired by Andrew Palmer

Roma Tearne is an artist and novelist. She is the author of four works of fiction: The Swimmer (longlisted for the Orange Prize 2010), Brixton Beach (selected for The TV Book Club), Mosquito (shortlisted for the Costa First Novel Prize 2007) and Bone China. Born in Sri Lanka, she arrived with her parents in Britain at the age of ten. For nearly twenty years her work as a painter, installation artist, filmmaker and novelist has dealt with traces of history and memory in public and private spaces. http://romatearne.blogspot.com/



2011

Tibor Fischer and Carolyn Oulton

Friday 27 January
6pm-7pm 2011

The first in a new series of monthly public readings to celebrate and encourage creativity in writing.

Tibor Fischer’s first novel, Under the Frog was shortlisted for the Booker Prize. He is the author of four other novels, the latest of which is Good to be God, from which he will read at this event.

Carolyn Oulton’s most recent poetry collection, A Child, a Death and the Making of the Fairytale Woman, registers her interest in Victorian and modern mythmaking as well as the landscape of East Kent.

Chaired by Andrew Palmer

Entrance is free. Doors open at 5.30pm: enjoy the Gallery’s current exhibition with a glass of wine before the event begins.

Matt Thorne
Friday 24 February 2011
6pm-7pm at the Sidney Cooper Gallery

The second in a series of monthly public readings to celebrate and encourage creativity in writing.

Matt Thorne is the author of six novels including the award-winning Eight Minutes Idle, which won an Encore Award, and Cherry, which was long-listed for the Man Booker Prize. He is also the author of three books for children and has co-edited two anthologies, including All Hail the New Puritans.

Chaired by Tibor Fischer

© Charlie Hopkinson

Sadie Jones
Friday 30 March 2011
6pm-7pm at the Sidney Cooper Gallery

The third in a series of monthly public readings to celebrate and encourage creativity in writing.

Sadie Jones’s first novel, The Outcast ('Riveting', Lionel Shriver; 'Devastatingly good', Daily Mail) was the winner of the Costa First Novel Award and was a Richard and Judy Summer Reads Number One bestseller. Her second novel, Small Wars (‘One of the best books about the English at war ever’, Joel Morris) was long-listed for the Orange Prize. Her new novel, The Uninvited Guests, is published in March 2012.

Chaired by Andrew Palmer

Lawrence Norfolk
Friday 27 April 2011
6pm-7pm at the Sidney Cooper Gallery

The fourth in a series of monthly public readings to celebrate and encourage creativity in writing.

Lawrence Norfolk’s first novel, Lemprière’s Dictionary, won the Somerset Maugham Award. This was followed by The Pope’s Rhinoceros, short-listed for the Impac Prize, and In the Shape of a Boar. His fourth novel, John Saturnall’s Feast, is the story of a 17th century orphan who lives through the English Civil Wars to become the greatest cook of his age; it will be published in 2012.

Chaired by Tibor Fischer

Friday 1 June 2011
6pm-7pm at the Sidney Cooper Gallery

The fifth in a series of monthly public readings to celebrate and encourage creativity in writing.

Up and coming Writers

Students from Canterbury Christ Church University showcase their writing.

Chaired by Carolyn Oulton


photograph Jake Arnott   Wednesday, 10th October 2012

 

Chaired by Andrew Palmer

 “All of the novels by Jake Arnott are engaged in the excavation of secret histories, in the teasing out and restoration of events that have taken place beneath the surface of society” - Times Literary Supplement.

 Jake Arnott is the author of six books, including the critically acclaimed and bestselling The Long Firm, which was adapted as a major BBC drama serial. He will be reading from his latest work, The House of Rumour - a thrilling tale of spies, Nazis, SF writers and transsexuals. http://www.jakearnott.com